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Sandro Botticelli
Italian Early Renaissance Painter, 1445-1510 Italian painter and draughtsman. In his lifetime he was one of the most esteemed painters in Italy, enjoying the patronage of the leading families of Florence, in particular the Medici and their banking clients. He was summoned to take part in the decoration of the Sistine Chapel in Rome, was highly commended by diplomatic agents to Ludovico Sforza in Milan and Isabella d Este in Mantua and also received enthusiastic praise from the famous mathematician Luca Pacioli and the humanist poet Ugolino Verino. By the time of his death, however, Botticelli s reputation was already waning. He was overshadowed first by the advent of what Vasari called the maniera devota, a new style by Perugino, Francesco Francia and the young Raphael, whose new and humanly affective sentiment, infused atmospheric effects and sweet colourism took Italy by storm; he was then eclipsed with the establishment immediately afterwards of the High Renaissance style, which Vasari called the modern manner, in the paintings of Michelangelo and the mature works of Raphael in the Vatican. From that time his name virtually disappeared until the reassessment of his reputation that gathered momentum in the 1890s

 

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Sandro Botticelli Antonio del Pollaiolo Hercules and Antaeus oil painting

Painting ID::  26832

X 
 

Sandro Botticelli
Antonio del Pollaiolo Hercules and Antaeus
c 1475 Florence,Galleria degli Uffizi (mk57)
   
   
     

 

 

Sandro Botticelli ANtonio del Pollaiolo Hercules and the Hydra oil painting

Painting ID::  26833

X 
 

Sandro Botticelli
ANtonio del Pollaiolo Hercules and the Hydra
c 1475 Florence,Galleria degli Uffizi (mk57)
   
   
     

 

 

Sandro Botticelli Discovery of the Body of Holofernes oil painting

Painting ID::  26834

X 
 

Sandro Botticelli
Discovery of the Body of Holofernes
c 1472 Florence,Galleria degli Uffizi (mk57)
   
   
     

 

 

Sandro Botticelli Antonio and Piero del Pollaiolo Martyrdom or St Sebastian oil painting

Painting ID::  26835

X 
 

Sandro Botticelli
Antonio and Piero del Pollaiolo Martyrdom or St Sebastian
c 1475 London,National Gallery.
   
   
     

 

 

Sandro Botticelli St Sebastian oil painting

Painting ID::  26836

X 
 

Sandro Botticelli
St Sebastian
c 1473 Berlin,Staatliche Museen (mk57)
   
   
     

 

 

Sandro Botticelli Madonna enthroned with Child and Saints (Mary Magdalene,John the Baptist,Cosmas and Damien,Sts Francis and Catherine of Alexandria) oil painting

Painting ID::  26838

X 
 

Sandro Botticelli
Madonna enthroned with Child and Saints (Mary Magdalene,John the Baptist,Cosmas and Damien,Sts Francis and Catherine of Alexandria)
1470-1472 Florence,Galleria degli Uffizi (mk57)
   
   
     

 

 

Sandro Botticelli Adoration of the Magi oil painting

Painting ID::  26839

X 
 

Sandro Botticelli
Adoration of the Magi
1472--1474 London,National Gallery
   
   
     

 

 

Sandro Botticelli Portrait of a Young Man oil painting

Painting ID::  26841

X 
 

Sandro Botticelli
Portrait of a Young Man
1470--1473 Florence,Palazzo Pitti,Galleria Palatina.
   
   
     

 

 

Sandro Botticelli Portrait of Smeralda Brandini oil painting

Painting ID::  26842

X 
 

Sandro Botticelli
Portrait of Smeralda Brandini
1470--1472 London,Victoria and Albert Museum. (mk57)
   
   
     

 

 

Sandro Botticelli Hans Memling,Man with a Medal oil painting

Painting ID::  26843

X 
 

Sandro Botticelli
Hans Memling,Man with a Medal
c 1480 Antwerp,Koninklijk Museum voor Schone Kunsten. (mk57)
   
   
     

 

 

Sandro Botticelli Portrait of a Youth with a Medal oil painting

Painting ID::  26848

X 
 

Sandro Botticelli
Portrait of a Youth with a Medal
c 1475 Florence,Galleria degli Uffizi (mk57)
   
   
     

 

 

Sandro Botticelli Adoration of the Magi oil painting

Painting ID::  26849

X 
 

Sandro Botticelli
Adoration of the Magi
1475-1476 detail of youth in a red tunic,standing on the left (Giuliano de' Medici?)Florence,Galleria degli Uffizi (mk57)
   
   
     

 

 

Sandro Botticelli Giorgio vasari,Portrait of Lorenzo the Magnificent oil painting

Painting ID::  26857

X 
 

Sandro Botticelli
Giorgio vasari,Portrait of Lorenzo the Magnificent
1534 Florence,Galleria degli Uffizi. (mk57)
   
   
     

 

 

Sandro Botticelli Portrait of Giuliano de'Medici oil painting

Painting ID::  26862

X 
 

Sandro Botticelli
Portrait of Giuliano de'Medici
c 1478 Washington National Gallery of Art
   
   
     

 

 

Sandro Botticelli Personage wearing a green mantle third in the group on the left oil painting

Painting ID::  26869

X 
 

Sandro Botticelli
Personage wearing a green mantle third in the group on the left
Pico della Mirandola? (mk57)
   
   
     

 

 

Sandro Botticelli Mago wearing a red mantle oil painting

Painting ID::  26867

X 
 

Sandro Botticelli
Mago wearing a red mantle
Piero the Gouty? (mk57)
   
   
     

 

 

Sandro Botticelli Older Kneeling Mago oil painting

Painting ID::  26868

X 
 

Sandro Botticelli
Older Kneeling Mago
Cosimo the Elder (mk57)
   
   
     

 

 

Sandro Botticelli Young kneeling mago oil painting

Painting ID::  26870

X 
 

Sandro Botticelli
Young kneeling mago
Giovanni di Cosimo the Elder? (mk57)
   
   
     

 

 

Sandro Botticelli Man in a short black tunic,standing on the right oil painting

Painting ID::  26872

X 
 

Sandro Botticelli
Man in a short black tunic,standing on the right
Lorenzo the Magnificent? (mk57)
   
   
     

 

 

Sandro Botticelli White-haired man in group at right oil painting

Painting ID::  26873

X 
 

Sandro Botticelli
White-haired man in group at right
Guasparre Zanobi del Lama? (mk57)
   
   
     

 

       Prev    7  8  9  10  11  12  13  14  15  16     Next

 

Sandro Botticelli
Italian Early Renaissance Painter, 1445-1510 Italian painter and draughtsman. In his lifetime he was one of the most esteemed painters in Italy, enjoying the patronage of the leading families of Florence, in particular the Medici and their banking clients. He was summoned to take part in the decoration of the Sistine Chapel in Rome, was highly commended by diplomatic agents to Ludovico Sforza in Milan and Isabella d Este in Mantua and also received enthusiastic praise from the famous mathematician Luca Pacioli and the humanist poet Ugolino Verino. By the time of his death, however, Botticelli s reputation was already waning. He was overshadowed first by the advent of what Vasari called the maniera devota, a new style by Perugino, Francesco Francia and the young Raphael, whose new and humanly affective sentiment, infused atmospheric effects and sweet colourism took Italy by storm; he was then eclipsed with the establishment immediately afterwards of the High Renaissance style, which Vasari called the modern manner, in the paintings of Michelangelo and the mature works of Raphael in the Vatican. From that time his name virtually disappeared until the reassessment of his reputation that gathered momentum in the 1890s